For more than half a century animated film remained confined to the realm of children's films. Neither Winsor McCay, nor Hans Richter, Victor Eggeling, Alexandre Alexeieff or Len Lye could change the general opinion (or prejudice?) or the (foolish?) minds of film critics. It was not before the end of WWII that the climate began to change: Jiřà Trnka and Stephen Bosustow laid the groundbreaking foundations, Norman McLaren was given international acclaim, Zagreb animation school emerges, then come Polish animators, followed by innovators from all over the world, reduced animation earns the status equal to classical animation and the rest is history.
But these pioneers never forgot the importance of childhood: Despite the seriousness and perplexity of the issues tackled and resolved by these giants of "adult" cartoon, collage or puppet animation, they each dedicated a certain part of their work to the youngest, and the most demanding audience. And it‘s a pleasure to see how children from all over the world are now exposed to the works of authors such as Vukotić, Mimica, Muster, Petričić, Ćirić...
Thus an important balance was created. There is a part of each one of us that refuses to grow up. It's a precious gem that will never go gray and wrinkled. It's this little fragment that makes our lives a bit better — and makes the whole world seem a bit les ‘grown-up'...
Ranko Munitić